
By Dakota Walker
He
was gripping the string of the kite with both hands, feeling the
movement guide his hands up and down, to the left, to the right – all
depending on the direction of the wind.
I described the kite to Tony, "It’s a rectangular shaped, with a long
tail on it. It's flying really high up!"
"What does it look like Dakota?" He asked. I stopped for a moment and
looked at Tony. He is much shorter than I am, his Asian skin blending
with his dark buzzed hair. His shirt neatly tucked into his crisp blue
shorts, not looking like he’s on day four of our river trip. He fingers
the kite string tirelessly and rocks his body back and forth with his
head in a perpetual bow towards the ground. Tony has been blind since
birth. He has never seen a kite, or the river we are rafting down. He
has never seen color, or trees, or faces, or any of the many sights we
take for granted every day.
I try again. "It’s rectangular Tony, with pockets or tubes – four of
them side by side sewn together but hollow to allow the air to move
through the kite. The tubes are yellow inside, like the sun – bright and
warm. The bottom is a fire engine red, and the topside is blue, like
your shorts. The tail is made up of 5 long strings about the same length
of you from head to toe, all different colors. They are tangled up at
the base of the kite but they are flowing freely at the ends – each
color is flapping in the wind. The kite is way up there, it’s so high I
can barely see it. Maybe it’s as high as fifteen kayaks lined up end to
end."
Tony pushed for more, "Describe it again Dakota, what is it doing?" I
learned on this trip that to see the beauty that lies around us one must
go deeper than skimming the surface. You must examine the details that
make it what it is. I knew I had achieved that level of awareness when
Tony would say, "I see it now." Sometimes it took 4, 6, 10 and 20 times
for me to peel the onion before he saw it. Eventually, through my words
and details, I was able to paint an image in his mind that allowed him
to see what I saw. Most of the time I felt he and I saw things together
for the first time.
I try again. "It looks like it’s alive, it’s flying furiously and
passionately in the sky – reaching as high as it can. The string holds
it back though, keeping it from freedom. It fights, it pulls, feel it
pull Tony, feel the power of the wind and the torment of the bounded
kite. The tail is flapping in the wind trying to give itself more
momentum, wanting it to soar. If it could it would lift you off this
ground and take you with it. It must be so high that it can see for
miles, see the ribbon of water that makes up the river, the smooth
contours of the red rock. It wants to fly side by side with the hawks
and canyon wrens." I close my eyes in an effort to see what Tony is
seeing.
"I can see it Dakota, describe it more!" His voice is like a child full
of excitement. That first revelation of something new, of seeing
something for the first time. I reach deeper to describe something that
to most of us seems mundane, simple, and trivial. Perhaps exciting to
fly, but to those who can "see" it, it is just a kite. But to Tony it is
more than that, and when I make that realization, I understand the
importance of looking beyond the piece of nylon flapping in the wind.
I close my eyes again, this time standing behind Tony. I guide his
hands along the string and pull it down then let go, allowing him to
feel the power behind the wind. "Listen Tony; listen to that shutter of
the kite as the wind kicks it." He hears it. "Take yourself up there -
become the kite. Feel the wind riveting your ribcage allowing you to
feel weightless and lofty." In his mind I know he has gone there as his
weight shifts from one foot to the other and for a moment he turns his
face skyward. "Fall over onto your back and do the back stroke in the
sky, through the air. Feel the sun's warmth on your face and the rush of
air glide through your hair. Your only safety is this string - it's the
only thing that can bring you back to earth. Now cut it." Tony laughs,
the thought of cutting free sounds so footloose and frivolous. "Where do
you go when you cut the string?"
Tony allowed his vision to take over the game as he described what he
saw. The ruins with pot shards scattered all over. The petroglyphs of
"Baseball Man". The duckies as they stride through the rapids. Even the
river guides dressed in their funny hats. From up there he could see it
all, and in the moments we flew a kite he showed me how beautiful our
world is. He described to me how the rock above the fire pit in the ruin
was softer than the it was elsewhere. How the pot shard he "looked" at
contained the slight indentation of someone's finger from when the pot
had been made. He could even tell me how the water shifted directions 3
times while riding through Ledge Rapid.
I was a river guide all summer on the